Kurt Vonnegut is one of the few American writers since Mark Twain to have won and sustained a great popular acceptance while boldly introducing new themes and forms on the literary cutting edge. This is the "Vonnegut effect" that Jerome Klinkowitz finds unique among postmodernist authors.In this innovative study of the author's fiction, Klinkowitz examines the forces in American life that have made Vonnegut's works possible. Vonnegut shared with readers a world that includes the expansive timeline from the Great Depression, during which his family lost their economic support, through the countercultural revolt of the 1960s, during which his fiction first gained prominence. Vonnegut also explored the growth in recent decades of America's sway in art, which his fiction celebrates, and geopolitics, which his novels question. A pioneer in Vonnegut studies, Jerome Klinkowitz offers The Vonnegut Effect as a thorough treatment of the author's fiction—a canon covering more than a half century and comprising twenty books. Considering both Vonnegut's methods and the cultural needs they have served, Klinkowitz explains how those works came to be written and concludes with an assessment of the author's place in American fiction.

Histories of the book often move straight from the codex to the digital screen. Left out of that familiar account is nearly 150 years of audio recordings. Recounting the fascinating history of audio-recorded literature, Matthew Rubery traces the path of innovation from Edison's recitation of "Mary Had a Little Lamb" for his tinfoil phonograph in 1877, to the first novel-length talking books made for blinded World War I veterans, to today's billion-dollar audiobook industry. The Untold Story of the Talking Book focuses on the social impact of audiobooks, not just the technological history, in telling a story of surprising and impassioned conflicts: from controversies over which books the Library of Congress selected to become talking books--yes to Kipling, no to Flaubert--to debates about what defines a reader. Delving into the vexed relationship between spoken and printed texts, Rubery argues that storytelling can be just as engaging with the ears as with the eyes, and that audiobooks deserve to be taken seriously. They are not mere derivatives of printed books but their own form of entertainment. We have come a long way from the era of sound recorded on wax cylinders, when people imagined one day hearing entire novels on mini-phonographs tucked inside their hats. Rubery tells the untold story of this incredible evolution and, in doing so, breaks from convention by treating audiobooks as a distinctively modern art form that has profoundly influenced the way we read.

Narrative has been central to human life for millennia, and the twentieth century has been preeminently the age of the story. Mass culture and mass leisure have enabled us to spend far more time absorbing stories, real and imaginary, than any of our ancestors. Whether or not this has been to our benefit is one of the questions raised by journalist and 1999 CBC Massey lecturer Robert Fulford. Narrative, Fulford points out, is how we explain, how we teach, how we entertain ourselves - often all at once. It is the bundle in which we wrap truth, hope, and dread. It is crucial to civilization. Fulford writes engagingly and energetically about narrative history, narrative in news coverage, the rise of electronic narrative, and narrative as it flourishes in the form of gossip, "the folk-art version of literature," revealing to us the mystery, power, and importance of story in all our lives.

This bestselling reference guide includes 76 entries on traditional and modern poetic forms. Defined in alphabetical order, each entry is allotted 1-7 pages with examples and histories of-and ideas for using-each form.

Great mystery and suspense writers have created some of the most unforgettable stories in all of literature. Even readers who don't consider themselves fans of this intriguing genre are familiar with names such as Hercule Poirot, Sam Spade, and Robert Langdon, and understand the deep and lasting impact this writing has had on literature as a whole. An utterly captivating and compelling genre, mystery and suspense has leapt off the pages of the old dime store paperbacks onto big screens, small screens, radio serials, and more. How did it become so prevalent' Why is mystery and suspense a go-to genre for so many readers around the world' What makes the dark and sometimes grisly themes appealing' Professor David Schmid of the University of Buffalo examines these questions, as he guides you through an examination the many different varieties of the genre. In doing so, you'll travel the road of mystery and suspense backward and forward in time, around the world, and alongside some of the most amazing minds in literature.

Using information from newly-declassified intelligence files and recovered military history, journalist Andrea Pitzer argues that far from being a proponent of art for art's sake, Vladimir Nabokov managed to hide disturbing history in his fiction--history that has gone unnoticed for decades.

Written by mortician and forensic expert Carla Valentine, The Science of Murder explores the real-life cases that inspired Agatha Christie and shows how the great mystery writer may have kept up to date with the latest developments in forensic science, from ballistics to blood-splatter analysis. Valentine examines the use of fingerprints, firearms, handwriting, impressions, and toxicology in Christie's novels, before finally revealing the role the dead body itself played in offering vital clues to dastardly crimes.

When Alice Ozma was in fourth grade, she and her father decided to see if he could read aloud to her for a hundred consecutive nights. On the hundredth night, they shared pancakes to celebrate, but it soon became evident that neither wanted to let go of their storytelling ritual. So they decided to continue what they called "The Streak." Alice's father read aloud to her every night without fail until the day she left for college.

Myth criticism flourished in the mid-twentieth century under the powerful influence of Canadian thinker Northrop Frye. It asserted the need to identify common, unifying patterns in literature, arts, and religion. Although it was eclipsed by postmodern theories that asserted difference and conflict, those theories proved incapable of inspiring solidarity or guiding social action. The Productions of Timeargues for a return to myth criticism in order to refine and extend its vision.With the aim of rehabilitating myth criticism for our time, Michael Dolzani sketches an anatomy of the imagination as demonstrated in the total body of its productions, including literature, mythology, the arts, popular culture, and religious and political texts. Dolzani situates a vast panoply of images, character types, plot structures, themes, and genres to better understand their purposes, their recurrences across broad spans of history, and their interrelations. Illustrating the relationship between mythology and history, The Productions of Timeproposes a symbolic language as a way of enabling dialogue across ideological and individual differences.Arguing for the ethical and intellectual necessity of conceiving a unifying pattern that transcends differences, The Productions of Timedemonstrates that imagination is part of the human inheritance, common to all, not just to poets and mystics.