Cat hasn't been to Montgomery Falls, the town her family founded, since she was twelve years old. Since the summer she discovered she could do things that no normal twelve-year-old could do. Since she had her first kiss with Riley Fraser. Since she destroyed their friendship. Now, five years later, she's back and Riley has disappeared.

Maren Walker tells herself she wouldn't need to sell pills for long. She dreams of walking through her door to leave it all behind. The doors have always appeared to the people of her town, though no one knows where they lead.

Winner of the 2016 Tiptree Award!
Longlisted for the 2016 National Book Award for Young People's Literature
Stonewall Book Award Honor

“McLemore’s second novel is such a lush surprising fable, you half expect birds to fly out of the pages… McLemore uses the supernatural to remind us that the body’s need to speak its truth is primal and profound, and that the connection between two people is no more anyone’s business than why the dish ran away with the spoon.”
--Jeff Giles, New York Times Book Review

Anna-Marie McLemore’s debut novel The Weight of Feathers was greeted with rave reviews, a YALSA Morris Award nomination, and spots on multiple “Best YA Novels” lists. Now, McLemore delivers a second stunning and utterly romantic novel, again tinged with magic.

To everyone who knows them, best friends Miel and Sam are as strange as they are inseparable. Roses grow out of Miel’s wrist, and rumors say that she spilled out of a water tower when she was five. Sam is known for the moons he paints and hangs in the trees and for how little anyone knows about his life before he and his mother moved to town. But as odd as everyone considers Miel and Sam, even they stay away from the Bonner girls, four beautiful sisters rumored to be witches. Now they want the roses that grow from Miel’s skin, convinced that their scent can make anyone fall in love. And they’re willing to use every secret Miel has fought to protect to make sure she gives them up.

Atmospheric, dynamic, and packed with gorgeous prose, When the Moon was Ours is another winner from this talented author.

Métis millennial Lucky St. James is barely hanging on when she learns she'll be evicted from the tiny Toronto apartment she shares with her cantankerous but loving grandmother Stella. But then one night, something strange and irresistible calls out to Lucky. She burrows through a wall to find a tarnished silver spoon, humming with otherworldly energy, etched with a crooked-nosed witch and the word SALEM. Lucky is familiar with the magic of her indigenous ancestors, but she has no idea that the spoon connects her to a teeming network of witches across North America who have anxiously awaited her discovery. Enter VenCo, a front company fueled by vast resources of dark money (its name is an anagram of "coven.") VenCo's witches hide in plain sight wherever women gather: Tupperware parties, Mommy & Me classes, suburban book clubs. Since colonial times, they have awaited the moment the seven spoons will come together and ignite a new era, returning women to their rightful power. But as reckoning approaches, a very powerful adversary is stalking their every move. He's Jay Christos, a roguish and deadly witch-hunter as old as witchcraft itself. To find the last spoon, Lucky and Stella embark on a rollicking and dangerous road trip to the darkly magical city of New Orleans, where the final showdown will determine whether VenCo will usher in a new beginning...or remain underground forever.

From celebrated Quebecois author Bertrand Laverdure comes Universal Bureau of Copyrights , a bold, strange and addictive story that envisions a world where free will doesn't exist, and an enigmatic global corporation buys and sells the copyrights for all things on Earth, including real and fictional characters. Through this novel, which is part poetic narrative, part sci-fi-dystopian fantasy, readers become acquainted with the main character, a man who deconstructs himself as he navigates the mystifying passages of the story. Having no control over his environment, time continuum, or body, he is a puppet on strings, an icon in a video game and, as he eventually discovers within the bowels of the Universal Bureau of Copyrights, the object of countless copyrights. With touches of Vonnegut's Breakfast of Champions and Sterne's Tristram Shandy, Universal Bureau of Copyrights packs a multitude of modern cultural references into an audacious exploration of identity and one's place in the world.

"I am not beautiful ..." Knife's entire existence has been as twisted as his flesh and his face. The only thing beautiful in his life is his sister. When Gwennie is obliged to turn a suitor down because she fears to leave her brother to the brutality of their village, Knife is desperate for anything to ensure her happiness. Her suitor's cousin offers him a way out, but it won't be easy. Aerie-Smith has been cursed to walk upright in the form of a beast, and his beloved village suffers from the same spell. Aerie-Smith offers Gwen a trousseau and some hope, if only Knife will keep him company on his island for the span of a year and perform one "regrettable task" at year's end. Knife is unprepared for the form the island's curse takes on his own misshapen body. In one moment of magic, he is given the body of his dreams — and he discovers that where flesh meets spirit and appearance meet reality, sometimes the only place to find truth is in the darkness of a lover's arms.

A richly atmospheric portrait of women's agency and the timelessness of love, Time Squared explores the enduring roles of rights, responsibility, and devotion throughout history The game will change when you remember who you are Robin and Eleanor meet in 1811 at the British estate of Eleanor's rich aunt Clara. Robin is about to leave to fight in the Napoleonic Wars, and her aunt rules out a marriage between them. Everyone Eleanor knows, including Robin, believe they've always lived in these times. But Eleanor has strange glimpses of other eras, dreams that aren't dreams but memories of other lives. And their time jumps start as their romance deepens. Robin fights in the Boer War, the First and Second World Wars, in Vietnam and Iraq. Meanwhile, Eleanor struggles to figure out what's going on, finally understanding that she and Robin are being manipulated through time. Who is doing this, and why? Arriving in modern times, Eleanor sets off to confront the ones she discovers are behind this — chessmasters playing her like a pawn. Eleanor's goal? To free herself to live out her life on her own terms. Time Squared examines the roles women are forced to play in different centuries, the power they're allowed, the stresses they face — and what this does to their relationships.

Following their adventures in The Bear and the Nightingale and The Girl in the Tower, Vasya and Morozko return in this stunning conclusion to the bestselling Winternight Trilogy, battling enemies mortal and magical to save both Russias, the seen and the unseen. The Winternight Trilogy introduced an unforgettable heroine, Vasilisa Petrovna, a girl determined to forge her own path in a world that would rather lock her away. Her gifts and her courage have drawn the attention of Morozko, the winter-king, but it is too soon to know if this connection will prove a blessing or a curse. Now Moscow has been struck by disaster. Its people are searching for answers--and for someone to blame. Vasya finds herself alone, beset on all sides. The Grand Prince is in a rage, choosing allies that will lead him on a path to war and ruin. A wicked demon returns, stronger than ever and determined to spread chaos. Caught at the center of the conflict is Vasya, who finds the fate of two worlds resting on her shoulders. Her destiny uncertain, Vasya will uncover surprising truths about herself and her history as she desperately tries to save Russia, Morozko, and the magical world she treasures. But she may not be able to save them all.

When various lives collide in the Hierro Maderas Mountains, each must struggle to escape a messy past and find a way to carve a future. They don't just have to learn how to survive. They have to learn how to fly.